The Great Irish famine of the 1840′s is now regarded as the single greatest social disaster of 19th century Europe. Between 1845 and 1850, when blight devastated the potato crop, in excess of two million people – almost one-quarter of the entire population – either died or emigrated.
The Famine Museum is located in the original Stable Yards of Strokestown Park House. It was designed to commemorate the history of the famine of Ireland and in some way to balance the history of the 'Big House'.
Whereas the landlord class had the resources to leave an indelible mark on the landscape, the Irish tenants lived in poverty and nothing of a physical nature has survived to commemorate their lives. The Famine Museum uses the unique documents that were discovered in the estate office, dealing with the administration of the estate during the tenure of the Mahon family. This collection includes many haunting pleas from starving tenants on the estate and the response they received.
The Museum also has a strong educational focus and seeks to create a greater awareness of the horrors of contemporary famine by demonstrating the link between the causes of the Great Irish Famine of the 1840′s and the ongoing spectacle of famine in the developing world today. The Famine Museum was opened in 1994 by the then President of Ireland, Mary Robinson, and she said 'More than anything else, this Famine Museum shows us that history is not about power or triumph nearly so often as it is about suffering and vulnerability'.
Strokestown Park was built by Thomas Mahon MP (1701-1782) on lands which had been granted to his grandfather, Nicholas, in the latter half of the 17th century for his support in the British colonial campaign. It was the family home of the Mahon family until 1979 when the house, in an advanced state of disrepair, along with what remained of the estate, was purchased by a local company, Westward Garage, who needed some extra land to expand their business.
Their initial intention was to keep the few acres they needed to expand their business and to sell on the remainder of the estate to recoup their finances. At that stage Westward was a young emerging company, with limited cash resources.
However, when they spent some time in the house and saw what was there, they decided that Strokestown Park was far too important from a heritage point of view to risk losing it. They negotiated a deal with the Mahon family to ensure that virtually all of the original furnishings would remain at Strokestown Park. They also pleaded with the family to leave behind the documents that remained in the estate office. By doing so they had ensured the salvation of a huge part of the heritage of County Roscommon, particularly relating to the great famine of Ireland.
The first public role for the house was when it was used for the making of the film 'Anne Devlin', based on the 1798 Rising, in 1984. What then followed was a "restoration project of such enthusiasm and energy that it was to be acknowledged as the single best private restoration in the history of the state".
The house was opened to the public in 1987 and is unique in that it affords visitors the opportunity to browse through the public rooms on professionally guided tours, surrounded by the original furnishings of the house. The House is unchanged from the time when the Mahons lived there, as evidenced by photographs which can be seen in the house.
Personally, I thought the inside of the house was an absolute disgrace. There were holes in the furniture where the mice had got to it. The carpets were all thread bare from having so many people walking over them and the excuse for leaving them was that they were original. The same with the curtains. Every time we were taken into a room I was asked to close the door behind us and in one room, the door knob fell off in my hand! The photographer who did the promo shots on the inside of this house was very good because the place is nothing like the advertisements suggest. The whole house was dirty and smelly and an accident waiting to happen!
"Follow the Loop and be taken on a journey through an ever changing landscape of majestic mountains, spectacular beaches, the wild Atlantic, mist covered lakes, pre-historic bogs and shady glens. A landscape peppered with quaint but lively villages where all the convenience of the modern day is available alongside an opportunity to step back in time to a more relaxed and friendly era."
We had stayed here for 2 1/2hrs before more scenic driving this afternoon through Joyce Country. Joyce Country lies west of the Lough Mask area, beyond the isthmus; a hilly region in the north of County Galway, extending into the southern part of County Mayo, traversed by green valleys and lonely roads which takes its name from a Welsh family who settled here in the 13th century during the reign of Edward I. Many people with the name Joyce still live there. The writer James Joyce carries the family name although he was born in Dublin in 1882.
There exists a Joyce Country Mountain and Lake District which covers the area south of Lough Mask, including the communities from Clonbur to Maam, Cloghbrack and Finney. Some sources include the balance of the isthmus, extending the region to Cong, Cross and The Neale.
Cong is known for its underground streams that connect Lough Corrib with Lough Mask to the north. It was also the home of Sir William Wilde, historian and father to prominent playwright, novelist, poet, and short story writer Oscar Wilde.
Cong is the home of Ashford Castle, one of Ireland's finest hotels, converted from a Victorian faux lakeside castle, built by the Guinness family and is a tourist attraction in its own right. Cong also has a fine example of a ruined medieval abbey, Cong Abbey, where Rory O'Connor, the last High King of Ireland, is buried. It also is the origin of Celtic art in the form of a metal cross shrine called the Cross of Cong. The 'Cross of Cong' is now held in the National Museum of Ireland, Dublin. There is a High Cross in the village.
Cong was the filming location for John Ford's 1952 Oscar-winning film, The Quiet Man, featuring John Wayne, Maureen O'Hara and Barry Fitzgerald. Much of the movie was filmed on the grounds of Ashford Castle. The town and castle area remain little changed since 1952, and Cong's connection with the movie make it a tourist attraction. (The movie is still celebrated by the local "Quiet Man Fan Club").
From Cong we travelled directly back to our hotel after a long but thoroughly enjoyable, outstandingly beautiful day.
Day 4
Today is a day off for me and a free day in Westport. I was hoping to get on a boat trip today but the tides are wrong and there is nothing going until much later in the day which I'm a little disappointed about missing. I still went for a walk down to Westport Quay, following the Greenway to get there, before walking back through Westport town. It made my legs ache!
The earliest settled habitation of the Westport area was approximately 5000years ago which is reflected in the many megalithic monuments found on the Clew Bay Archeological Trail. In the 16th Century Westport or Cathair na Mart as it is known in the Irish language was an important stronghold for the O Malley Clan. An infamous Pirate Queen called Grace O Malley held control of the fortress in Westport as well as many other sites along the shores of Clew Bay.
In the 17th century the Browne Family moved to Westport and built a home on the site of the O Malley Fortress. In 1730 they employed a famous German architect called Mr. Richard Cassels to design the magnificent building of Westport House and interestingly the dungeons of the old O Malley fortress can still be seen on a visit to Westport House.
The village of Westport originally consisted of thatched cabins and was situated on the front lawn of Westport House with a high street and little alleys leading down to the Carrowbeg River. In the mid 18th century Sir John Browne decided to relocate the village 1500m inland to its current position and contracted the architect William Leeson to plan the town. A proposal announcing the new town of Westport appeared in the Dublin Journal, March 1767.
In 1800 Sir John Denis Browne, Lord Sligo embarked on the ambitious plans of developing the Mall on both sides of the Carrowbeg River. It consists of 400m of tree lined boulevards, with two cascades and had three crossings of stone arched bridges. The buildings on both sides of the Mall were built in wonderful Georgian character and many remain intact to this day.
Westport is the third largest town in Mayo with an urban population of 5,000. It hosts a remarkable natural and built environment combined with a vibrant, friendly resident population which enables the delivery of quality tourism products. The site of the town offers visitors an opportunity to experience a well maintained urban setting on the banks of the beautiful Carrabawn River in addition to a bustling Quay area on the shores of Clew Bay. The topography and biodiversity of the Westport’s environs provides for spectacular scenery which enables visitors to the area to capture a real sense of the heritage and landscape. The town has won numerous awards which justly reflect the efforts of local community groups.
Achill has a long history of human settlement and there is evidence that Achill was inhabited as many as 5,000 years ago. Megalithic tombs testifying to this can be seen at Slievemore and there is a signposted walk to one of these tombs nearby McDowell's Hotel. The remains of promontory forts from the Iron Age have been found along the Atlantic Drive and on Achill Beg Island.
We spent the morning on the Atlantic Drive, also part of the Wild Atlantic Way. I just can't put into words how amazingly stunning the scenery was.
The atmosphere of the Deserted Village is unique; it's remoteness; a feeling of almost intruding on those who lived there; a sense of the frugality of life in such a place and time and the overall air of mystery; who were they, why did they settle here, how did they survive and why did they leave?
The houses were built of unmortared stone, which means that no cement or mortar was used to hold the stones together. Each house consisted of just one room and this room was used as kitchen, living room, bedroom and even stable. While one or two houses may have had a small stable built on to the end of the house, most families had to share their house with the cows and other livestock, who would be brought into the house at night and tied at one end. Inside the house, a shallow channel or drain in the floor would lead in to a manure pit outside the house.
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